In this respect, one can understand the appeal of the delinquent protagonist – Yusuke represents the sort of character who initially displays insolent behavior because of a mischievous streak that gets him in trouble, but eventually displays a nurturing, caring side in the face of adversity that threatens the lives of the friends he makes during the course of the story. Dragon Ball, to give another example, focuses on the exploits of Son Goku as he adjusts to his ever-increasing power and battle numerous alien threats against him and his friends the story of Dragon Ball originally took inspiration from Journey to the West, as Akira Toriyama (the manga’s author) modeled his Son Goku on the mischievous Sun Wukong in that tale, whose defiance against the heavens forces the Buddha to imprison him for five hundred years (Sun Wukong later helps Tang Sanzang in collecting sutras in exchange for freedom). Roger, a famed pirate whose defiance at his own execution (he alerts the world, immediately before his death, of an enormous treasure he placed somewhere) triggers the wave of piracy currently informing the work’s universe Luffy must constantly oppose the corrupt and powerful World Government and its Marines, who impose their own semblance of order upon the world and portray pirates as a menace that must be eradicated. Luffy, who wishes to become the legendary King of Pirates, like Gol D.
#Yu yu hakusho yusuke death series#
One of the longest-running and most popular series today, One Piece, features a fledgling pirate by the name of Monkey D.
Yusuke’s initial characterization as a delinquent in Yu Yu Hakusho helps set the tone for the series, as we see him in a flawed light – many of the most popular shounen protagonists exhibit defiant traits where they try to exert themselves as a positive force in a society where they feel out-of-place, thanks to a society that thinks lowly of them. As the episode progresses, however, we see a more compassionate side of Yusuke – his death allows him to reflect on his life after seeing those around him attend his wake, and he has no regrets in his decision to save the boy (even though he learns, after the fact, that the boy was destined to get struck by the car and survive without injury).
Yusuke seemingly speaks to the audience by providing details of his day prior to his untimely death, serving as the episode’s narrator he struggles to meet social expectations in a world critical of him, although he does disregard school and get into fights with other delinquents (thus cementing his reputation among everyone else as a man not to be trifled with, even though he has done nothing to deserve such a perception). What makes this series fairly unusual is that it presents its protagonist as a delinquent with a reputation – Yusuke performs an altruistic act by saving a young boy from certain death (thus showing him to have compassion), but the brief flashback reveals his place in society as a boy who apparently became so notorious in his community that rumors circulate about his abilities as a juvenile delinquent who leads a rather large gang. The term used her to refer to the spirit world, reikai, originated in Shinto theology as a general term denoting the world inhabited by supernatural beings (in contrast to the material world inhabited by humans) Yu Yu Hakusho quickly establishes the duality between the spirit and physical worlds in its first episode by demonstrating how a human could traverse from one realm to the other through Yusuke, and how the two realms interact regularly, even if humans might not realize it. One of the most popular shounen series ever produced, Yu Yu Hakusho initially ran in the pages of Shounen Jump between 19 – it relates the story of hapless delinquent Urameshi Yusuke as he discovers the world of the spirits and develops mystical powers, opposing numerous monstrous forces along the way. Lovely Blog Award!… on Early American Cinema: Selecte…
0 kommentar(er)
